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The Nabokov piece is a seminal one in our study of reading and writing. You will come back to it again and again over the course of the year. Read it first to get an overall impression of its argument; then, read it with the following questions in mind.
Your extensive Journal notes should house the answers to these questions: Where does the introduction end? Identify the method s of introduction.
What is the thesis? Is it explicit or implicit? Where and how does it change? What rhetorical devices does Nabokov use? What passages capture your attention, arouse a reaction?
These can be ideas or elements of language. What, according to Nabokov, is a good reader. How does Nabokov organize his piece? Connect the different parts?
What characterizes the conclusion? Where does Nabokov use humor? What authority does Nabokov have as a writer? What is your reaction to the essay? Is it an emotional one or a logical one?
Good Readers and Good Writers My course, among other things, is a kind of detective investigation of the mystery of literary structures.
A hundred years ago, Flaubert in a letter to his mistress made the following remark: There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected.
If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie.
We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know.
When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge. Can we expect to glean information about places and times from a novel? Can anybody be so naive as to think he or she can learn anything about the past from those buxom best-sellers that are hawked around by book clubs under the heading of historical novels?
But what about the masterpieces? And Bleak House, that fantastic romance within a fantastic London, can we call it a study of London a hundred years ago? And the same holds for other such novels in this series.
Time and space, the colors of the seasons, the movements of muscles and minds, all these are for writers of genius as far as we can guess and I trust we guess right not traditional notions which may be borrowed from the circulating library of public truths but a series of unique surprises which master artists have learned to express in their own unique way.
To minor authors is left the ornamentation of the commonplace: The various combinations these minor authors are able to produce within these set limits may be quite amusing in a mild ephemeral way because minor readers like to recognize their own ideas in a pleasing disguise.
The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction.
The material of this world may be real enough as far as reality goes but does not exist at all as an accepted entirety: It is now recombined in its very atoms, not merely in its visible and superficial parts.
The writer is the first man to mop it and to form the natural objects it contains. Those berries there are edible. That speckled creature that bolted across my path might be tamed.Aug 08, · Thesis of "Good Readers and Good Writers" From reading "Good Readers and Good Writers" by Vladimir Nabokov, I decided that the overall theme of the passage is that to write or read one needs to be both artistic and logical.
One quote that introduced this thesis goes as such: "The three facets of the great writer—magic. Vladimir Nabokov, Good Readers and Good Writers Journal questions to consider while reading: The Nabokov piece is a seminal one in our study of reading and writing.
You will come back to it again and again over the course of the year. Jul 16, · Vladimir Nabokov’s lecture, “Good Readers and Good Writers,” is a simple set of instructions on how to write or consume a great work of literature. Its purpose is to teach the reader the proper attitude to have when reading a great novel, story, or other work of literature.
Professional Academic Help. Starting at $ per pageOrder is too expensive? Split your payment apart - Good Readers Good Writers Nabokov Thesis. Sep 09, · In his article, Vladimir Nabokov explicitly states what qualities make up good readers and good writers.
According to him, good writers are the ones who write to create new worlds instead of using the existed, ordered world. custom argumentative essay Nabokov Essay Good Readers Good Writers abortion essay thesis essays paper done.